Comparative Analytical Study of Ghazal Poems between Mahmoud Al-Musawi and Sayyid Hasan Al-Husseini

Document Type : Original Article

Authors

1 Associate Professor of Arabic Language and Literature, Razi University, Kermanshah, Iran.

2 PhD student in Arabic language and literature, Razi University of Kermanshah, Iran.

3 Professor of Arabic Language and Literature, Razi University, Kermanshah, Iran.

Abstract

"Comparative literature, being an interdisciplinary field, studies the literary heritage of different nations. In this field, the scope of literature transcends national and local boundaries to observe the differences and commonalities between views and ideas of poets from two nations in comparative way. Consequently, comparative literature holds a prominent place in the world of literature and is expressed through various poetic forms. Sonnet is one the most important types of lyrical poetry and has had a significant role in the evolution and creativity of poetic content in past literary eras. Despite its great diversity, contemporary poets in Persian and Arabic literature have embraced Sonnet, pouring their emotions into and expressing their feelings through . Poets Mahmoud Al-Musawi and Sayyid Hasan Al-Husseini are among the prominent contemporary poets in this field. They have embraced this poetic form and composed Sonnets in its three types: mystical Sonnet, love Sonnet, and religious Sonnet. Therefore, this study aims, through a comparative methodology within framework of comparative literature and the descriptive-analytical approach, to present a comparative study the content of the Sonnets of poets Al-Musawi and Hasan Al-Husseini. research results showed that the poets, in an artistic and poetic manner, addressed themes such as 'divine love, reaching the eternal beloved, describing love with blood and fire, supplication to attain union, and the originality of love' mystical and love Sonnets. However, Hasan Al-Husseini's revolutionary orientation gives his poems distinctive character, setting them apart from his Arabic counterpart, and this distinction reaches its peak in religious Sonnet

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